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251 – Ain’t Never Had A Friend Like Me: Aladdin and the Truth About The Djinn

In Disney’s race to re-monetize every single piece of their intellectual property, they’re recreating their best animated films as live-action movies. They’ve already done Cinderella, Beauty and the Beast, The Jungle Book, and Dumbo and used their unlimited checkbook to snag directors like Kenneth Branagh and Tim Burton to do it. They’ve finally come to the only Disney film that I actually liked (I know, I’m a total hater), Aladdin and they somehow thought that the director of the wonderful London petty crime drama, Lock, Stock and Two Smoking Barrels would be perfect for a story about a Middle Eastern orphan who meets Wil Smith, the magic genie.

Welcome to Earf!

Much of the discussion about the film is related to how Will Smith is going to fill Robin Williams’ shoes in a role that was specifically made for the deceased comedian, or the original pictures of Will Smith in blue made him look kinda silly, but now that the film hit Number One at the box office and made hundreds of millions of dollars, no one’s really making fun of it anymore. Which means we should probably get to the real issue: genies aren’t friendly magical wish-granting buddies who are charming like Robin Williams or sexy like Barbara Eden, their history is much darker as a race of beings known as the Djinn.

The Djinn are mentioned in the Koran as beings made of “smokeless fire” who were created before humankind. They have Free Will just like humans and when God created humans, he asked the Djinn to be subservient to us. The Djinn, specifically the most powerful among them, Iblis, said “Hell No!” and they took off to their own dimension where they live alongside us only to come into our lives and mess with our affairs.

Now, we’ve talked before about the Yazidi, who believe that Iblis eventually got back in God’s good graces, but in traditional Islamic folklore, he’s the most powerful and evil of the Djinn and he’s plotting humanity’s downfall. But he’s not the only one, there’s an entire hierarchy and variety of Djinn that we talk about in this episode.

In a previous episode, we also talked about how King Solomon used what medieval Biblical scholars considered demons to build the first temple of Jerusalem), but the Koran says, nope, it was the Djinn.

We also get into more about The Thousand And One Arabian Nights where the story of Aladdin came from (hint: it’s not an ancient Middle Eastern tale) and how that book first brought to the Western World by a Frenchman in the early Eighteenth Century basically shaped our ideas about the djinn for the past several centuries.

Much like demons, the story is that the Djinn can possess humans and cases aren’t just limited to the Arabic-speaking world, there’s lots of cases in the United Kingdom) and sometimes they don’t just want to possess your soul and make you burn in Hell with the Devil, it’s because they’ve fallen in love with you!

Some of the names of Djinn are the same as the different gods in pre-Islamic Pagan religions in the Middle East, like Baal who was the Canaanite god of fertility or Pazuzu, the Mesopotamian lord of the wind, who would eventually be used to great effect as the demon who possesses Regan McNeil in The Exorcist.

So Christianity and Islam are much alike in the way that as they spread throughout their various continents, Christianity through Europe and Islam through the Middle East, they took the original gods of the people they were converting and turned them into supernatural enemies of the one true God. And you can’t really argue with the logic, it’s a great way to cement the belief of the people you’re trying to assimilate. Don’t tell them that they’re gods are bullSh!t but tell them that their gods are real, however they’ve been tricked into believing the gods are good when they’re actually evil.

So the Djinn become a catch-all for any kind of paranormal activity in Islamic culture, from rocks being thrown out of nowhere (classic Poltergeist activity) to spirit possession to weird things happening around the house like manifestations that we would consider ghostly activity. And it all works because the Djinn are right there in the theology. They’re listed in the holy book, so

I made fun of Rosemary Ellen Guiley when she was on her Djinn kick a few years back,  because she seemed to put everything on the Djinn, from Shadow People to alien abductions. I thought it was goofy, but in the format of Islam, that’s completely accurate.

It’s not part of the Koran that dead people come back as ghosts, but the Djinn are, and they’re shapeshifters that can take the form of our dead relatives. Of course, you use Djinn to explain the paranormal or when you see something weird.

It’s like when we connect faerie lore with alien abduction and poltergeist activity or Bigfoot to accounts of high strangeness. Yes, faeries ain’t like Tinkerbell, and Djinn aren’t like Barbara Eden (which breaks my heart), they’re part of something much stranger. The Djinn are just another way that us humans are trying to explain our relationship with events that we cannot find a terrestrial explanation for.

For the song this week, let Wendy and I show you “A Whole New World”!

63 – Devil’s Night: Mischief, Pranks, and Terror on The Eve of Halloween

It’s a very special episode of See You On The Other Side. This Halloween will be our ONE YEAR ANNIVERSARY! How time flies when you’re exploring the unknown while writing songs about it!

And obviously, we love Halloween, so we got zombified and joined the cast of Rockford sitcom The Deadersons  and worked on a  special music video with them!

Brains... brains... brains...
Sunspot Zombified…

For this episode, we brought our friend and my Madison Ghost Walks guide, Lisa Van Buskirk into the studio with us (last heard in our episode at the Milwaukee Paranormal Conference). Lisa and I went to go see Saint Maria Goretti when she came through Madison in mid-October. There’s a church in Madison that’s named after her and they were displaying the saint’s body. There was around 100 people waiting in line when we went around 10pm but the showing went all night and they expected around six thousand people to come visit her.

Mike and Lisa visit Saint Maria Goretti
Mike and Lisa visit Saint Maria Goretti

Her story is particularly brutal because she was a little girl who was raped and stabbed to death by her neighbor, but the crux of the story is that she would rather die than lose her virginal purity telling her attacker he shouldn’t because he’ll go to Hell and then she forgave him on her deathbed and said “I want him to be with me in paradise.” So it’s her saintly power of forgiveness and devotion to purity that made the Church want to recognize her (in 1950.)

Just a quick refresher, the Catholic Church says that anyone who makes it to Heaven is a “saint” but they recognize some people for special holiness and give them the title of “Saint”. She supposedly appeared to her attacker in prison and also people have claimed miracles from praying at the body of Saint Maria and her remains have been covered in wax and they take her on tour where people can pray with her body, who the Church now considers a relic.

Here is Saint Maria Goretti’s remains covered in wax…

Now, to the main topic of the episode… Pranks around the Halloween season just seem natural to me. I remember being read a Halloween story from a children’s book where there a group of people circled around the fire and the boys sang:

Needles and pins, needles and pins!
When Hallowe’en comes, your trouble begins.

while the girls sang:

Needles and pins, needles and pins!
When Hallowe’en comes, the fun begins.

Just saying that rhyme always scared me as a boy, and I finally found the story, by Josephine Scribner Gates, in a 1918 children’s magazine called St. Nicholas. You can read it online right here. But that just reinforced my belief that this was the season for mischief. While most of mine were stupid (toilet papering trees, saying silly things in wax crayons on people’s driveways), in other towns, pranks got real dangerous, especially in Detroit.

Yeah, looks all innocent and fun... for now.
Yeah, looks all innocent and fun… for now.

In Lisa’s other life, she’s a paramedic and firefighter and her birthday is the day before Halloween, October 30th. That’s the traditional day for Halloween pranks and in Detroit, where Lisa was born and raised, it’s known as Devil’s Night, the night you live up to the trick part of “trick or treat.” It’s known as Mischief Night in some places and Cabbage Night(?) in others, but either way it’s the same thing, “When Halloween comes, the trouble begins…” which was so eloquently stated in The Crow (a film that takes place in Detroit on Devil’s Night over two consecutive years) as “Fire it up! Fire it up! Fire it up!Fire it up!”

As the American auto industry faded around Motor City in the 1970s, more and more Detroit residents lost their jobs and more and more houses became abandoned. Well, when you’ve got plenty of houses where there’s no one living and when people were looking to cause some mayhem, they set those houses on fire. In 1984 alone, there were 800 fires set in Detroit. It became such a tradition that even Eminem’s rap group D12 wrote a song about it, it’s mentioned in Grosse Point Blank (my personal favorite John Cusack role since the wonderful Journey of Natty Gann, as well as Dan Aykroyd’s last great role), and it was the basis of an episode of Criminal Minds (not work linking to.)

After a record number of fires in 1994 (the year The Crow came out), the city started Angel’s Night, as a response to the arson and tens of thousands Detroit residents walk the streets on that Devil’s Night to keep their neighborhoods safe.

Now where does this come from? Well, a couple of things. First, there’s a Spring tradition in Europe of Walpurgis Night on April 30th. The night before the feast of a Catholic Saint (naturally), it was originally rumored to the be the night that witches meet in the German mountains and was an evening for pranks, and later, politically motivated riots (it’s the day before the Community holiday, May Day.)

But some inspiration also comes from the night before Guy Fawkes’ Day (you know the masks that the guys were wearing in V For Vendetta?) That’s a holiday based around the foiling of the Gunpowder Plot where a Catholic group tried to assassinate the King of England (you see, they’re not all as merciful and loving as Maria Goretti…) That’s in the UK on the 5th of November and the night before became a traditional day for pranks, Mischief Night, and in some places, in the country as a coming of age ceremony for thirteen year olds (a Bar Mitzvah of Terror!)

They made a Mischief Night movie in 2014 with the not-very-discerning Malcolm Mcdowell. But the most obvious inspiration is for a film called The Purgea horror flick and social satire about a future America where crime is so bad that for one night a year, everything is legal for twelve hours. That means that people can do whatever they want for one night, cause as much destruction, kill people, whatever, and it serves as kind of a population control for the poor. Will Ferrell and John C. Reilly were also attached to a Devil’s Night horror-comedy, but the status of that is currently unknown.

Fire it up! Fire it up! Fire it up!

But this particular episode has a point that we get to eventually, and that Devil’s Night is the perfect example of how people turn something innocent like a prank into something horrible, like arson. It’s the mentality of a riot. Sometimes when people talk about riots, they think of Los Angeles in 1992 or Ferguson in 2014 and they are quick to put the blame on poor people or minorities or a few  destructive elements. But riots right here in Madison, Wisconsin show us that it doesn’t matter who the population is, income and ethnicity isn’t a factor, when people are in large groups and get aggravated, they will destroy things. And people will do things that they never thought they would do. Malcolm Gladwell delineated this particularly brilliantly at this year’s The New Yorker festival.

Madison was always fun on Halloween, but in the early 2000s, it was the Halloween destination, even MTV came here to document the party. But you get tens of thousands of people from all over the country coming to the party, combine that with massive amounts of alcohol, and the inhibition-destroying effects of wearing a costume (there’s even a name for being defined by your outfit, called unclothed cognition) and Madison’s main drag turns into a scene that you normally only see on the news from a Russian republic or a Middle Eastern country.

The psychology of a riot has a lot to do with seeing what other people do. Yes, you might not normally throw a beer bottle at a police officer, but watching how many other people throwing that bottle and not getting in trouble does it take for you to think that it’s okay? It’s the mob. You might not normally break a window, but if you see ten other people do it, well, then it might not seem to be such a bad idea. Throw some booze and youthful exuberance in the mix and I think you know where I’m going.

Madison Wisconsin Halloween Riots
Picture courtesy of Derek Montgomery.

That’s Devil’s Night. A night where tradition, expectation, mob mentality, peer pressure, and opportunity combine to create destruction. And it’s that disintegration of society’s boundaries that we tackle in this episode’s song, “Neanderthal“.

Virtual murder,
pixelated death,
we can kill each other,
with no regrets.
Like raping a hooker,
Or popping a cop,
Or pushing a handi,
Right out of his wheelchair.

Your thoughts become reality,
Focusing on a tragedy,
And now I’m f$%^ing my PC.

I am Neanderthal.
I am Incredible.
I am Neanderthal.

This liquor store’s a mammoth,
This gat’s a bone.
There’s too much information,
In this age of Stone.

Your thoughts become reality,
A self-fulfilling prophecy,
And now I’m f$%^ing my PC.

I am Neanderthal.
I am Incredible.
I am Neanderthal.

Your thoughts become reality,
Focusing on a tragedy,
And now I’m f$%^ing my PC.

I am Neanderthal.
I am Incredible.
I am Neanderthal.