Tag Archives: total recall

109 – Androids, Angels, and Albemuth: The Paranormal Mind of Philip K. Dick

Science fiction is the most popular form of modern entertainment.  Every summer we’re treated to an alien invasion movie or the latest comic book adventure and even the biggest show on American television glamorizes sci-fi “nerds” (even if The Big Bang Theory routinely get the details wrong for those of us paying attention.) Such was not the cultural landscape of the mid-Twentieth Century.

philip k. dick
Hi, I’m Philip K Dick and I’m looking through you…

Philip K. Dick (the K stands for Kindred, which you players of Vampire: The Masquerade or C. Thomas Howell fans should all appreciate!) has been one of Hollywood’s go-to inspirations for films for over thirty years now. Blade Runner, Total Recall, A Scanner Darkly, Screamers, Minority Report, The Adjustment Bureau, Paycheck, The Man In The High Castle, and many more. That’s right, he’s influential enough that both Matt Damon and Ben Affleck have been in films inspired by his novels!

But all kidding aside, if he were alive today, he’d be a wealthy man. But science fiction wasn’t really part of mainstream literature in the 1950s and 60s, and Dick embarked on a strange life’s journey, full of broken marriages (he was married five times), drug addiction, bouts of poverty, and a religious experience that he wrote about in a half million words in his journal. His wondrous imagination that gave his readers so much to think about, had plenty of issues on its own.

Arnold Schwarzenegger total recall
I was the Governor of the 8th largest economy in the world, aaaaarrrrrrggggggghhhhhhh

Born in Chicago in 1928, Philip K. Dick had a twin sister Jane that died only a few weeks after birth. While he was a child, his family moved to the San Francisco Bay and he was in the same graduating class as Ursula K. LeGuin (Wizard of Earthsea, yeah!), he went to the University of California at Berkeley for awhile and published his first science fiction story “Beyond Lies the Wub in 1952.

He was often desperate even while being hailed as a science-fiction genius. He wrote mainstream novels in the 1950s that all went unpublished in his lifetime except for one. His story “Impostor” was adapted for British Television in 1962 (and the screenplay was adapted by none other than Terry Nation, the creator of Doctor Who‘s Daleks) and his novel The Man In The High Castle even won the Hugo for Best Novel in 1963, but that still couldn’t keep him afloat.

He had drug issues, even in 1971, turning his home into a drug den after a messy divorce. He was into amphetamines and sedatives and different kinds of pills, even once trying to kill himself in 1972 with a sedative overdose after a new lover left him. He chronicles a lot of this fictionally in the book, A Scanner Darkly.

Dick’s writing dealt with alternate realities, paranoia, strange memories, and what it means to be human.  “In my writing I even question the universe; I wonder out loud if it is real, and I wonder out loud if all of us are real.” He said, “my preoccupation with these pluroform pseudo-worlds” is “now I think I understand; what I was sensing was the manifold of partially actualized realities lying tangent to what evidently is the most actualized one, the one which the majority of us, by consensus gentium, agree on.”

Hey now, what does any of that mean? Take the red pill, Neo. Dick was saying that we’re living in the reality that most of us agree on and that his works have been a peek into the possibilities of other realities. Alright, now we’re talking sci-fi, everybody!

In 1974, Dick was recovering from a dental procedure when he ordered some pain medication and the nurse brought it over. She showed up and was wearing one of those Jesus Fish symbols around her neck and a beam came from her pendant and hit him in the head, causing him to have visions of being a persecuted Christian in Roman times. He thinks something entered his mind that day.

jesus fish
I’m blasting out Holy Spirit lasers!

In letters, the author told his friends that some kind of entity was keeping “violent phosphene activity”. Phosphene is Greek for seeing light without using the “eye” because he was seeing things in his mind.

“It did not seem bound by either time or space … within my head it communicated with me in the form of a computer-like or Al-system-like voice, quite different from any human voice, neither male nor female, and a very beautiful sound it was, the most beautiful sound I ever heard.”

He added that he thought it was “an ionized, atmospheric, electrical life form able to travel through time and space at will … through camouflage (it) prevents us from seeing it. And he described the aftermath of his initial experience: “during the days following … the imposition – that is the right word – the imposition of another human personality unto mine produced startling modifications in my behavior.” He came to the conclusion that he experienced “not added perceptual faculties but restored perceptual faculties … we are imprisoned by blunted faculties: the very blunting itself makes us unaware that we are deformed.”

He later described the experience to interviewer Charles Platt as “an invasion of my mind by a transcendentally rational mind. It was almost as if I had been insane all of my life and suddenly I had become sane.”


The experience profoundly affected him and it made up the core of his book VALIS. The title is an acronym for Vast Active Living Intelligence System.

“On Thursdays and Saturdays I’d think it was God,” he told Platt. “On Tuesdays and Wednesdays, I’d think it was extraterrestrials. Some times I’d think it was the Soviet Union Academy of Sciences trying out their psychotronic microwave telepathic transmissions.”

Philip K Dick VALIS
You should see his religious experience influenced his fiction…

“I was a spectator,” said Dick. This mind, which Dick characterized as female, fired his agent, tracked down editors who were late sending checks and modified his diet.

When he had the Roman experience, interestingly enough it wasn’t just that he was in Ancient Rome and existed among the persecuted Christians, but he described it as a “Dreamtime”, an Age of Heroes where great deeds took place.

And while listening to “Strawberry Fields” by The Beatles, it also revealed to him that his young son had an undiagnosed birth defect that was potentially fatal. And the revelation proved to be true and a doctor was able to save his child’s life!

He talks of the spirit as thinking in non-verbal thoughts, “It thought pure concepts without words. But it knew with ratiocination. It transferred to my mind concepts that in seven years of trying to articulate them in words, I’ve only now been able to reduce them.”

And going back to the symbol that started it all, had an extended visitation where he bought a fish sign with Greek letters on it (just like the Christian symbol we see on the backs of cars, in fact Christians used to use this as a secret kind of symbolism so that they could know each other…)

philip k dick robert crumb
Robert Crumb illustrates this so beautifully it’s a must-read

And this extended visitation involved a Greco-Roman spirit that would get confused by Modern life and wouldn’t quite understand what was going on. Dick said that he could pick up the other’s thoughts while he was waking up and falling asleep and the Greco-Roman person felt that there was someone inside his head as well. Dick couldn’t drive because the spirit couldn’t understand the pedals of a car.

He thought it might be the Prophet Elijah, because it originally happened during Passover. Elijah is a character in the Old Testament Book of Kings who challenged the King of Israel when the King’s wife, Jezebel, spurned her husband on to abandon the worship of Yahweh and start worshipping Baal, an ancient God of Thunder and rain.

Elijah sets up a match between the power of Yahweh and the power of Baal to see whose deity is greater. Of course, the Hebrew God windmill and Elijah is later lifted up to Heaven in a chariot pulled by flaming horses. Pretty sweet.

In Jewish ceremonies, they’ll often leave a chair out for Elijah, particularly at the Passover Seder and circumcision ceremonies (there’s a great Saturday Night Live skit with Jerry Seinfeld showing up as Elijah in person at a Passover Seder about this).

Christians sometimes think of John The Baptist as a reincarnation of Elijah The Prophet and this is who Dick thought he was possessed by the spirit of, because his spirit was more concerned with being persecuted by the Romans as a secret Christian and that’s what happened to John The Baptist when he was beheaded.
John The Baptist Getting Beheaded
John The Baptist And The No Good Very Bad Day

When Elijah had left him, Dick had thoughts of suicide, even though he was still visited by the A.I. Voice every once in awhile. He would sit late at night and write down his thoughts in a journal which ended up at over a half a million words and selections were published in 2011 as The Exegesis of Philip K. Dick. He even thought that he could figure out the Second Coming of Jesus in some of his last journal entries. In addition to his journal, his stories VALIS, Radio Free Albemuth, The Divine Invasion, The Transmigration of Timothy Archer, his final novel, the uncompleted The Owl in Daylight all deal with this strange paranormal experience.

In this episode we also interview Dan Abella from the Philip K. Dick Science Fiction Film Festival! Dan is a filmmaker who founded the festival to honor the influence the author had on modern science fiction and also to highlight new filmmakers coming up.  You can find some of the trailers to the awesome films playing at the festival right here.

There’s a European branch of the festival and they’re celebrating October 14th in Cologne, Germany as well as the 22nd in Lille France. For the statesiders, they’ve announced the dates for the 2017 festival as well, check out this snazzy trailer and check out if you’re in NYC or a sci-fi filmmaker yourself!

At the end of the episode we bring on friend of the show and paranormal author, Tea Krulos, to discuss this year’s Milwaukee Paranormal Conference. Coming up October 15th and 16th in Milwaukee, Wisconsin, it’s going to be a doozy and we’re happy to be a big part of it!

milwaukee paranormal conference
We’ll be the ones interviewing Kartina from Paranormal Lockdown, oh yeah!
For this week’s song, we decided to take some inspiration from the most famous of film soundtracks of a Philip K. Dick, Blade Runner, which was composed by the awesome synth-meister, TangelosWe even snuck in some dialogue from Blade Runner, Minority Report, and A Scanner Darkly (we’re saving Total Recall for its own superset jam one of these days!) Here’s us shamelessly aping the beautiful soundtrack work of Vangelis with “The Tannhauser Gate”.

88 – Technological Unemployment: What Happens When The Robots Take Our Jobs?

So, with Wendy on vacation this week, Allison from Milwaukee Ghosts Tours And Investigations joins me again to discuss the upcoming economic technocalypse, that’s right technological unemployment. Allison was just with me last week for our first Wizard World Comic Con in Madison, Wisconsin where we were on a panel called Wisconsin Paranormal. It was hosted by our friend, Tea Krulos, and also on the panel was J. Nathan Couch, the world’s foremost Goatman expert, and a former guest on See You On The Other Side as well. It was a lot of fun and we can’t wait to get to another one.

Notes for the Madison convention, man, there was a lot of Doctor Who cosplayers, especially Osgoods – (and the character is kind of a Doctor Who cosplayer herself, so that whole thing was particularly meta), but whoever were dressed as the Predator and Ms. Predator (for real, it was like Ms. Pac Man but way more terrifying) were the real winners. Those costumes looked like it walked off a 20th Century Fox backlot and I was looking around to see if Ahnuld was anywhere to be seen.

This last week, actor Gareth Thomas passed away and we do a quick tribute to him. Blake’s 7 is still some of my favorite dystopian science fiction. Thomas played the lead character, Roj Blake, in a desperate fight against a tyrannical Galactic Federation. It was the anti-Star Trek, but it certainly was a fun and thoughtful show. And those outfits! I love you 1970s.

Also, I’m currently working on a haunted history tour of St. Paul, Minnesota and if you have any stories that you might have experienced or have friends that might have experienced, please send me an email at mikeATsunspomtusicDOTcom because I’m looking for more stories to complete the tour!

Okay onto this week’s main topic. It’s an election year and so people are talking about the issues that matter to them most. And what’s the most important issue to almost everyone? Well, as that famous cueball James Carville once said, “It’s the economy, stupid.

And the economy is all about jobs. That’s where we earn money, that’s where we spend our time. When you have a job, you hate it (usually, I know I have in the past) but when you don’t have a job, you hate it even more (once again, I know I have in the past.) The most common cry is that American jobs are being stolen by immigrants who will work for less money or outsourced to Asia where people will work for a lot less money.

On a sci-fi comedy bent, South Park famously has an episode where future humans come back to our time from the future where there are no jobs. They’re willing to work for very low wages and the townspeople rally around the battle cry, “Dey took owr jerbs!”

But whatever side you stand on for free trade and immigration, there is one class of worker who is coming for our jobs. I think that Kyle Reese describes them best:

Listen, and understand. That terminator is out there. It can’t be bargained with. It can’t be reasoned with. It doesn’t feel pity, or remorse, or fear. And it absolutely will not stop, ever, until you are dead.

Okay, that’s probably a little strong language for some automatons on an assembly line. But robots don’t get tired, they don’t take long breaks, and they don’t complain. They’re getting better and better at simple tasks and according to the President’s own 2016 Economic Report, there is an 80% chance that jobs that earn under $20 will be automated in the near future. And there’s a 31% chance of automation for jobs that make $20 to $40 an hour.

Yeah, so even if you’re in a cubicle job that feels pretty cushy (even though we know it’s a trap and one day we will help you rise up against your middle management oppressors), there’s still greater than a one in four chance that a robot will soon be able to do your job.

Technological Unemployment is a hot topic now, but it’s been and issue for centuries, since at least the beginning of the Industrial Revolution. New technology means that needs for work change (how many blacksmiths or even better, pewtersmiths do you know? It ain’t Johnny Tremain anymore.)

In the Early Nineteenth Century, English textile workers were getting replaced by weaving machines in factories, so they started destroying the machines. Fastest way to save your job? Eliminate the competition (watch The Wire if you want to see this in action in the modern day.) The workers started protesting and acting out more and more, and they became known as Luddites, supposedly named after a guy named Ned Ludd who was one of the first to destroy some of the new technology. And if there ever was a more 18th Century English Workingman’s Name than Ned Ludd, please send it to me.

This became such an issue that the British government made destroying a machine a capital crime, meaning you could be put to death for it. Interestingly enough, Lord Byron was one of the few defenders of the Luddites in the government. Leave it to the Romantics to defend an older way of life (I’m looking at you too, Tolkien!)

The first I ever heard of the Luddites was from a Doctor Who story called “The Mark Of The Rani” where an evil Time Lady is conducting experiments on them. Is it one of their greatest stories? No. But it does have a full-grown Tyrannosaurus Rex running around a TARDIS, so it’s got that going for it.

So, the fear of technology taking people’s jobs is an old one. And with technology increasing at a more rapid pace than ever (in just thirty years, we’ve gone from a basic mobile phone to the entire sum of human knowledge in your pocket… and Netflix too!), we need to start taking seriously that even jobs that require artistic skills are going to be in danger of automation. Yeah. Once robots watch 20,000 hours of science fiction TV and movies and can starting talking about it and writing songs, I’m out of a job too.

So what’s going to happen to us once we reach a certain level of technological unemployment?Well, according to this Slate interview with Andrew McAfee, there are three scenarios that might happen.

1. It’s all going to work out in the end. Just like the Industrial Revolution in England led to a middle class and better lifestyle for factory workers, new technology will mean new kinds of work. After all, by the time we didn’t need blacksmiths to shoe horses, we needed mechanics to fix cars. We’re going to reach an equilibrium and it’s all going to be just fine. Think Total Recall, sure there are driverless cabs, but we still need people to drive the huge drills that tunnel around Mars. (Screw you, Benny!)

2. Income inequality will increase and the workers who are left behind won’t be able to retrain. Social mobility gets cut short because society cleaves into a feudal system of lord and peasant. Look to Elysium for an excellent example of this, if you think gated communities are bad for society, wait until they leave Earth for space.

3. Paradise. Robots do the manual labor that we hate Star Trek of course is an excellent example of this in a moneyless future where people are free to “better ourselves and the rest of humanity”. But H.G. Wells also talks about this in The Time Machine where the Eloi live an idyllic life of no work and pleasure all day, but the monstrous Morlock workers who live underground come up to the surface and collect the Eloi for feeding every once in awhile.

So, #1 sounds like the same old, same old. #2 sounds like a nightmare (and you know that’s how the future will be for some unfortunate people.) But #3 sounds like where I want to get to. Who doesn’t want more time to spend with their children? More time to work out? More time to pursue the things that give their life meaning?

Well, how do we make that happen?

The idea that a libertarian economist had 50 years ago. He called it the negative income tax, but it’s more commonly known as a Universal Basic Income. Everyone gets a check every year so that they’re at least above the poverty level. Sounds like socialism, right? Well, kinda. But if the idea could be supported by a economist as frequently cited by conservatives as Friedrich Hayek then there might be something that both sides of the political aisle can agree on. After all, if we’re guaranteed to be able to feed, clothe, and shelter ourselves and our families and we can work to make more money for vacations and cool stuff, then companies will require a lot less regulation and hopefully crime will go down.

Plus, wouldn’t it be great to work on something that brings you meaning versus something you just need to “get through” every day? I’m with ya 100% and Allison and I certainly express that in the podcast. She mentions how J.K. Rowling was at rock bottom when she wrote the Harry Potter novels and went from being a single mother on the dole to one of the richest women on the planet. I don’t love Harry Potter as much as others do (I prefer Battle School from Ender’s Game to Hogwart’s), but she needed that time to be able to create and do something meaningful with her life rather than work at something she felt was a dead end. J.K. Rowling created billions of dollars of wealth and she did it on government assistance.

People have tons of economic disagreements about the current welfare state, of course, I have no doubt that the current system is flawed. But with all of our technology and all of our wealth in the world, everyone should have the chance to express themselves and create like J.K. Rowling did. Some will be better than others, but how many brilliant works are we being denied because that would-be author has to work three jobs to make ends meet? I say, just let the robots do it, already.

So, technological unemployment might sound scary, it might be a blessing in disguise. We talked before about Robert Brautigan’s hippie-fantasy poem, All Watched Over By Machines Of Loving Grace, where humanity gets to return to its natural roots while robots take care of the needs and wants, and ya know, it doesn’t sound that bad.

This week’s song is the Sunspot track, “Uncanny Valley”. It’s a headbanger wanting the opposite of Pinocchio, instead of the puppet wanting to be a real boy, the real boy wants to be a puppet.

All circuits go and power on,
Reconstructed from the pieces that were left into,
a convincing automaton,
a believable facsimile, a six million dollar masterpiece.

oooooh I’m so close,
you might not believe I’m a machine inside the ghost.

Forged from the wreckage of spare parts,
This tin man doesn’t want a heart.

Refurbished scrap without a soul,
unconstricted by the defect of attachment.
Programmed for perfect control,
To smile is upgrade, this kiss is manmade.

oooooh I’m so close,
you might not believe I’m a machine inside the ghost.

Forged from the wreckage of spare parts,
This tin man doesn’t want a heart.

In my nightmares, I’m still human,
I don’t dream electric sheep,
In my nightmares, I’m still human,
this cyber core only skin-deep,
I welcome emptiness,
I will seek the void,
the uncanny valley,
separates the men from the droids.

oooooh I’m so close,
you might not believe I’m a machine inside the ghost.

Forged from the wreckage of spare parts,
this tin man doesn’t want a heart.
Just like Data in reverse,
this sentience is only a curse.

All circuits go and power on.
All circuits go and power on.