Looks like there is no intellectual property that the great minds of Hollywood are afraid of resurrecting. Twenty seven years after it originally premiered, they’re bringing back Flatliners as a quasi-reboot / stealth sequel. They’re probably getting the message that us geeks are getting tired of rebooting properties when they could basically create a new story with new characters while keeping it in the same universe and even just some kind of nod to the original can satiate fans who are looking for a continuation of the story.
Joel Schumacher made one of the 1980s most stylish and inventive horror films with The Lost Boys (a film we’ve talked about on this podcast a hundred times) and he took the main heavy from that film (a little actor by the name of Kiefer Sutherland) and made him the lead of his next movie, Flatliners.
Flatliners is a film about medical students who create Near Death Experiences for themselves (the flatline of the title) and then get resuscitated back to life. They’re looking for the last frontier, what happens after we die, what Shakespeare called “the undiscovered country from whose bourne no man returns”, well, unless you’re Kiefer Sutherland, Kevin Bacon, Billy Baldwin, Oliver Platt, or Julia Roberts.
What they find is a cosmic justice waiting for them, an accountability for their sins in life waiting for them. And those sins can now come back to haunt them in our world, brought back through the portal of the Near Death Experience. That’s the gist of the story and it’s still an effective horror film. We’ll see about the remake starring Ellen Page and Diego Luna (who are usually pretty great) and directed by the original The Girl With The Dragon Tattoo director, Niels Arden Oplev (and written by the dude who wrote Source Code which is a solid Twilight Zone episode of a movie!)
Anyway, when you think of a Near Death Experience, you think of your life flashing before your eyes, a tunnel with a light at the end, and sometimes an Out of Body Experience where your spirit leaves your body and you watch what’s happening to you.
First things first, our new release, American Monsters, is live and you can download the newest EP for free at http://www.sunspotuniverse.com – it’s three songs that were inspired by this podcast and we took them into the studio. You will love how these tracks turned out!
This episode features the writer and director of the film Convergence starring Clayne Crawford (from SundanceTV’s Rectify and who will be playing Mel Gibson’s role in the new Lethal Weapon reboot) and Ethan Embry (I loved him in That Thing You Do… but he was also zombie fodder in the latest season of The Walking Dead). Convergence, written and directed by Alabama-based filmmaker Drew Hallis a paranormal thriller in the Jacob’s Ladder vein.
Set in 1990s Atlanta (and you can tell that right away because of the Everclear and Toad The Wet Sprocket on the radio), a police detective gets caught in the explosion of an abortion clinic bombing by a religious extremist group and wakes up in a hospital caught in a nightmare scenario where he has to hunt down the leader of the extremist group who is causing mayhem all through the hospital.
In some more 90s awesomeness, the soundtrack was also partially composed by Helmet’s Page Hamilton. Betty was one of my favorite hard rock albums and Ben (the guitarist from Wendy and my band, Sunspot) used to jam out at rehearsal to “Unsung” in high school all the time.
So number one, is the movie any good? Yes. Convergence is a thoughtful horror film with some clever modern twists (the appearance of the Ghost Hunters-style paranormal investigation team). There’s a little bit of gore (my favorite is a scene that ahem… took the words right out of my mouth) and there’s some of the inescapability of dream-logic terror. One of the things I enjoyed most about it though was its treatment of religion.
Now I’m mostly used to seeing only a few kinds of religion in film:
1. The Catholic Church’s exorcists as wizards or priests as holy warriors in vampire movies.
Back when Peter Jackson was making horror films (but still usually about 25 minutes too long), his film Brain Deadhas my personal favorite of the badass priest archetype (please do not watch this Youtube clip at work, it is NSFW all the way.)
2. Religious zealots as redneck murderers. Kevin Smith covered this one in Red State.
3. Faith-based films where atheists are engaging in a war on Christianity and God hands out miracles like mini Snickers on Trick or Treat night. Jennifer Garner went from The Invention Of Lying (Ricky Gervais’ love letter to atheism) to Miracles From Heaven, a new faith-based film where God basically saves her sick kid.
While these depictions of faith and religion are what we’re used to and the antagonist of Convergence sometimes veers into Red State territory, the nice thing about Convergence is that its themes of redemption and faith are given plenty of breathing room.
Now, to be fair, you’re not going to get Diary Of A Country Priest–levels of cinematic spiritual contemplation and some of the dialogue is a little too on the nose, but it’s nice that a horror movie with supernatural elements can feature spirituality upfront and center without sanitizing the religious elements or making everyone who has faith look crazy. It’s a refreshing change of pace.
Now, if you’d like to watch the film without any spoilers, then you can find links to download it here or you can grab it on Blu-Ray at your local Best Buy. Then come back and listen to the podcast!
So, if you’re not familiar with Purgatory, it’s a Roman Catholic concept that if you died and your soul is still stained by sin, but what you did isn’t really that bad to send you to Hell, then you just get punished for a little while before you get to go to Heaven. It’s also a good way for the church to explain what happens to babies who die before they get baptized or people who lived good lives before Jesus, so they never had a chance to believe in the guy.
Basically it’s a place where everyone sorts their leftover business out before they get to the next world. It pops up in a lot of films and TV shows, like The Sopranos, The Leftovers, What Dreams May Come, Wristcutters: A Love Story, and one of the crappy Hellraiser sequels (don’t bother with any of those films after the second one.)
In Dante’s poem, Purgatory is an island (huh, wonder where people might have gotten the idea that Lost was set there…) with a mountain on it that has several levels where souls are being punished in for different sins in order for them to redeem themselves and make it to the top of the mountain. Once they get to the top, they have fulfilled their punishment and they can finally get into Heaven.
Drew even uses Dante’s different levels of Purgatory as inspiration for what happens on each floor of the hospital and how the lead character, Ben, has to advance through the hospital and make his way to his own redemption by the end of the film, all the while being hunted by the Ethan Embry’s maniacal villain.
Drew’s interest in the paranormal stems from having his own experiences as well. He tells us a couple of stories in the interview, but my favorite is getting a little otherworldly help while almost drowning. Here’s how he tells it:
[I was] whitewater rafting… but I flipped out of the boat and we got caught in a whirlpool type thing stuck in a whirlpool-type and when I flipped out, I got stuck underneath the raft. And the raft is fairly heavy, much less loaded down with six adults. You float up because you’re wearing a [vest]… I’m trapped under this thing for, according to accounts, two or three minutes, luckily I was a swimmer at the time so I could hold my breath.
But I had to come face to face with the idea that I might not get out… As audible as I’m talking to you now underwater, as insane as it sounds… I heard “look left” and as I did, there was a shaft of light that looked as solid as a pole sticking out. And I reach for it thinking maybe they had found a stick. My hand went through it and then my buddy had gotten out of the boat and grabbed my wrist…
It could have been fight or flight, I understand, but to me that became reality… it planted that seed.
Drew Hall is a filmmaker to keep an eye on because he has a unique cinematic vision and you can tell he cares deeply about the craft. There’s a literacy and depth to his work that is too rare in horror and thriller circles.
Actor Angus Scrimm passed away yesterday at the age of 89. If you’re a horror fan, then you’ll remember him as the evil undertaker, The Tall Man, from the Phantasm film series (the one with the flying silver balls that stick in people’s heads.) Number one, what an awesome stage name (he was originally born Lawrence Rory Guy). Number two, he was the one guy in the Phantasm movies that looked like he was some kind of an actor in real life. You can see why he was such a memorable presence in this supercut of his greatest moments from the highlights of the franchise (namely Phantasm 1 and 2).
Phantasm was mostly recently making the sci-fi news rounds because Star Wars: The Force Awakens director J.J. Abrams mentioned how much that he loves the movie and that he created one of the characters (Captain Phasma) as an homage to the film, the character even wears a special reflective mirrored armor like the scary balls that fly through the air in Phantasm. Abrams also gave Scrimm a recurring role in his TV show, Alias, because he was a fan of the actor.
Not that the other characters and actors in Phantasm weren’t memorable and didn’t give it their best shot. Especially Reggie Bannister, you just gotta love that guy. I still use the phrase “Hot as love” sometimes when I’m done playing a song.
Angus Scrimm’s late in life success in the horror genre was preceded by a long career in entertainment journalism as well as being a go-to guy for writing liner notes on the insides of records – which was a thing back in the day when people used to buy albums, and he even won a Grammy for his work in the music industry!)
I always heard that he was a nice guy at horror conventions and his dedication to the character even as the budgets of the Phantasm sequels started getting less and less. So, I’m raising a glass to a life well lived.
I celebrated my eighteenth birthday with my first meal as a full vegetarian, a trip to the adult book store (who knew that Al Bundy’s favorite magazine was a real thing?), and a viewing of Phantasm III: Lord of the Dead, so the series has always been close to my heart. My friends and I were big fans of the series in high school because we appreciated Reggie’s dirty innuendos, the gross-out horror of the flying balls killing people, the surreality of the filmmaking, and the mashup of (spoilers for a 37-year old movie) beings from another dimension that enslave human souls after we die.
The Tall Man’s most memorable quote besides bellowing “Boyyyyyyyy!” is “You think when you die, you go to heaven. You come to us!” which is a special kind of terror. You grow up your whole life thinking that when you die, you go to a “better place” (unless you’re a Calvinist that just believes most people are going to Hell anyway). But Phantasm introduced to me the idea that maybe the afterlife wasn’t wonderful at all, that there is something worse than death, a place you could never escape where you were turned into a zombie Jawa slave for eternity. A reimagining of Hell where The Tall Man took the place of Lucifer and owned you.
Now, that’s some scary business right there and in some of the world’s earliest cultures, the Afterlife isn’t fun at all. In fact, if you’ve ever studied the Epic of Gilgamesh (the world’s first action hero!) you’ll know that death to the ancient Sumerians meant unpleasantness for the rest of eternity. They feared the dead who “live in darkness, eat clay, and are clothed like birds with wings” and would eat the living if they escaped the Underworld.
So, while there might be an evolutionary advantage to believing in the afterlife, it doesn’t mean that we necessarily believe in a Heaven filled with naked angels strumming on harps, but also that Hell could be programmed into our primordial belief systems and it’s that antediluvian angst that Phantasm excels at accessing. In the world of the film, there is no “happily ever after”, The Tall Man is coming from another dimension to enslave the souls of the Earth and the main characters have to figure out how to stop him.
But interestingly enough, Whitley Strieber’s sequel to his book Communion (who in my opinion has influenced our modern views ideas of aliens more than any other creator) was called Transformation, which came out in 1988, the same year as Phantasm II. The main idea of Transformation was that the aliens that he claimed to have been abducted by all his life in Communion, were here in a spiritual capacity and not just a scientific experiment (and I don’t know if that would have been a relief to South Park‘s Eric Cartman or not…)
But in Transformation, the aliens are here and visiting us to help recycle our souls, which starts blending two formerly very different strains of paranormal belief into one (albeit Mormonism and Scientology have been doing this for a longer period of time, but Transformation is really when I got my first taste of it.) This mixture of aliens and an inescapable afterlife of servitude is what makes Phantasm such an mindtrick and it was all brought to life in such effective terror by the performance of Angus Scrimm as The Tall Man. Thanks Lawrence Rory Guy, for the awe-inspiring personification of a perfectly horrifying, yet ancient, idea.
A rock band's journey into the afterlife, UFOs, entertainment, and weird science.