All posts by Mike Huberty

Co-Host of See You On The Other Side podcast Lead Vocalist & Bassist for Sunspot

152 – Haunted History in New England: A Conversation with Jeff Belanger

Jeff Belanger is one of New England’s premier haunted historians. Well known for his work with Ghost Adventures (he was one of the guys who found the haunted places and looked for witnesses willing to discuss their experiences), Jeff also hosted the online show Thirty Odd Minutes, has written fourteen books on hauntings, and was Emmy-nominated for his work on the PBS series, New England Legends (now available to watch on Amazon Prime!)

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Jeff Belanger looking like a total badass!

Growing up in Connecticut near Ed and Lorraine Warren (he even got to hang out at their house!), Jeff found himself fascinated with the paranormal at an early age. He started the popular ghost story site, Ghost Village in 1999 which is easily one of the largest paranormal resources on the Internet. Since then, he’s been writing books, hosting TV shows , and even climbing Mount Kilimanjaro (which we get to in this episode).

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Jeff on 30 Odd Minutes, with an awesome t-shirt!

In this conversation Jeff shares his first real-life ghostly encounter in the Catacombs of Paris, some of his favorite New England ghost stories and legends, the inspiration behind his mountain climbing in Africa, and why Sandy Hook Truthers are sadly mistaken.

One of the stories that Jeff told us that really resonated with me was the story of Mercy Brown, a girl who died of tuberculosis in Exeter, Rhode Island in 1892. Her mother and older sister also died of tuberculosis and  then brother came down with it, so the people of Exeter believed that there was a vampire that was cursing the family. They dug up the bodies to see, but since it was wintertime and Mercy was being kept above ground (they had to wait for the ground to thaw to bury her), she was not as decomposed as they thought she should be. Also, as her body was more fresh so it still had blood in the liver and heart, which made them believe she was a vampire.

jeff belanger mercy brown vampire ghosts
The grave of Mercy Brown

They believed that they could end the vampiric curse and save her brother by ripping out her heart, burning it, and feeding him the ashes, so they did. And it didn’t work, two months after eating his sister’s burned heart, Edwin Brown succumbed to the disease as well. That seemed like an excellent inspiration for a track, because looking at it from today’s perspective, the whole adventure seems so misguided. All they did was drag Edwin and poor Mercy’s father through Hell by digging up the bodies of the people he loved and make him believe that his daughter was a hellish abomination. Let the dead rest. Things are better left buried in the past. Mercy’s father went through all that turmoil, he made his son eat his own daughter’s burned out heart and it was all pointless anyway. That’s the inspiration for this track, “Digging Up The Dead”.

Rusty nails and rotten wood
And earth in every seam
I spit the dirt out of my mouth
I wake up from a dream to
Be thirsty like I’ve never been
A constant agony
With the black dog that walks at my back
And damns my memory.
Lord grant us mercy from afar,
forgive the prayers we should have said,
Oh you can burn up my heart,
and eat the ashes that are left,
But you’re just digging up the dead.
You’re just digging up the dead.
The things that should be left alone
They’re not for man to touch
The past is just a shallow grave,
That’s best left in the dust.
We keep kicking the pale horse,
’til the blood just turns to rust.
No, you can’t beat the Devil,
By remembering too much.
Lord grant us mercy from afar,
forgive the prayers we should have said,
Oh you can burn up my heart,
and eat the ashes that are left,
But you’re just digging up the dead.

151 – Return to the Mississippi: Haunted America 2017 Recap

For the third time, we return to Alton, Illinois to do some paranormal business. The first, we did a live podcast and hung out at the haunted Maeva’s Coffeehouse. The second we went down to the Haunted America conference which was their Twentieth Anniversary.

This time, we went down in force to the Haunted America Conference to not only check out the speakers, but to hang out at a See You On The Other Side booth as well as play a few songs to kick off the conference (and thanks to the awesome Lisa Taylor-Horton for making that happen!)

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Sunspot Acoustic Duo at Haunted America

The booth this year was Lisa Van Buskirk from Madison Ghost Walks, Allison Jornlin from Milwaukee Ghosts, Scott Markus from What’s Your Ghost Story, and then Wendy and I. So, we had a full boat and it was a great opportunity to meet a whole bunch of cool people.

haunted america see you on the other side booth
Looking good at the SYOTOS booth

We were right across the way from Greg and Dana Newkirk’s Traveling Museum of the Paranormal and Occult, so seeing the different attendees get to play with their various haunted and cursed items was a lot of fun throughout the day.

Some of the highlights of the conference were Troy’s introduction, the speaker panel on Friday night, Paranormal Sarah’s discussion of paranormal belief across cultures, Greg and Dana’s presentation on living with cursed objects,  and Rosemary Ellen Guiley on interdimensional beings.

It’s really amazing what Troy and Lisa pull together in Alton, it’s a small Mississippi River town that for a weekend each year becomes a paranormal hotbed with some of the finest speakers in the field attending and discussing topics of all stripes (except UFOs, for some reason Troy doesn’t like them, but don’t let him know that we love ’em!) I joke a little about Alton in the discussion, but that’s because the years I spent living in La Crosse, Wisconsin made me understand how these cities that grew up along the Mississippi River have gone through some rough times, and to be able to bring people there and create a successful fun event year after year is no small feat.

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The gang with the man behind Haunted America, Troy Taylor!

One of the things that I thought was interesting was the people at the booth right next to ours (the South Pivttsburgh Hospital in Tennessee) had never been to a conference before and they were so cute. The manager of the hospital said that she felt out of her element, like a “faker” because she wasn’t a “paranormal person”. I completely understand because this community can sometimes feel extremely insular and it’s very protective because outsiders in the mainstream love to be judgmental about the things that we think are awesome.

I told her that you didn’t need to be a “paranormal person” to appreciate everything, you just had to have an open mind. No one really knows the answers and anyone that tells you that they do is lying to you or they’re deranged!

This is an area where we’re all just taking our best guess. But that’s just not the world of the paranormal, that’s everything in life. We’re all just doing our best out there, no matter what it is. And everyone feels like a fraud sometimes, that they’re “getting away with something”. As long as you’re okay with yourself, that’s all that matters. We’re all just trying to get by, and all the things that we make ourselves believe that are so important, or things we torture ourselves with, in the end don’t really matter to the universe. Have fun and be your best, because it’s just “Smoke and Mirrors” anyway.

When you feel like you’re a fake
and you just want to run away
and the little mask you’re wearing breaks

Well, it’s okay. Yeah, it’s okay.

when you think they’re giving you the eye
something in you wants to die
when you’re just living a lie

Just know, it’s smoke and mirrors anyway

Well you’ve got your cross to bear
Don’t you know, that we all got our weights
And It’s not right and it’s not fair,
don’t you know, it’s gonna be okay
It’s smoke and mirrors anyway.

a target on your back
and always under attack
maybe that facade is gonna crack,
But it’s okay, yeah, it’s okay.
Feeling like a big phony
questioning your sanity
don’t worry what they believe

it’s smoke and mirrors anyway.
Well you’ve got your cross to bear
Don’t you know, that we all got our weights
And It’s not right and it’s not fair,
don’t you know, it’s gonna be okay
It’s smoke and mirrors anyway.

150 – The Close Encounters Man: A conversation with Mark O’Connell about UFOs and Dr. J. Allen Hynek

It’s always a pleasure when we can bring Mark O’Connell to talk on the show. Not only did he grow up in the same town as Allison Jornlin and I, so it’s always fun to reminisce about growing up a little different in our tiny hometown of Big Bend, Wisconsin, but he’s a science fiction screenwriter who’s got the same interest in the paranormal as we do here on the show. He’s written for Star Trek: Deep Space Nine, he blogs on UFO subjects at High Strangeness UFO, and he has just released a biography of Dr. J. Allen Hynek, an astronomy professor who became the main investigator for the United States’ Air Force’s Project: Blue Book.

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Mark O’Connell at the 2016 Milwaukee Paranormal Conference

The Close Encounters Man: How One Man Made the World Believe in UFOs is the fruit of Mark’s research and interest in Hynek that we talked about all the way two and a half years ago in our 23rd episode. 

While  Dr. Hynek famously started off skeptical, even his New York Times obituary mentions that he was proud to be associated with advancing the field of UFO research into something more scientifically respectable. And he wasn’t afraid to criticize the Air Force’s UFO study methods when he found them less than scientific.

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Dr. J. Allen Hynek cameoing in Steven Spielberg’s Close Encounters of the Third Kind

He developed a classification system for UFO encounters in his book, The UFO Experience, that Steven Spielberg famously used as inspiration for the sci-fi mashed potatoes classic Close Encounters of the Third Kind. The movie poster even used the scale itself:

Close Encounter of the First Kind
Sighting of a UFO
Close Encounter of the Second Kind
Physical Evidence
Close Encounter of the Third Kind
Contact

Since the book was written, others have tried to add more levels to the scale to include everything from abduction cases (the fourth kind) to alien/human hybrid fertilization schemes (the seventh?), but those are more controversial because they involve some research that cannot be quantified. UFO researcher and Hynek’s friend Jacques Vallee has said a Close Encounter of the Fourth Kind could involve “high strangeness” (a term that Hynek coined) where reality itself seems to be altered during the encounter(and that’s something we’ve been talking more and more about lately!)

In this rollicking conversation, we talk about Hynek’s scale, his gigantic influence on how we investigate UFO phenomena today, his infamous “swamp gas” denial that set off a decade of tension between him and the UFO enthusiasts of the 60s and 70s, and also how Mark O’Connell himself has been branded a “skeptic” and what that means in today’s UFO community.

the close encounters man mark o'connell j allen hyena
Click on the book to pick up your copy!

One of the most important aspects of Hynek’s impact on UFOlogy was how his  beliefs evolved over time. He followed the evidence where it led without pre-conceived notions which is one of the reasons we’re still talking about him today. Evolution isn’t easy and adjusting your beliefs, whether it be about yourself or the universe,  when you discover new truths, isn’t easy. And some people can never change.

That’s what this week’s Sunspot song, “Archaeopteryx” is about. The dinosaur with feathers, we think of the archaeopteryx as the link between those cold-blooded monsters and our modern birds, and how it sucks to be stuck in the middle, belonging to neither generation. The key line is “Evolve or die”. That’s how natural selection works and that’s how science works. If you aren’t willing to change, then you are willing to go extinct.

I’m lost in time,
a relic of some forgotten past.
Where is my kind? I guess they just couldn’t last.
A reproductive dead end,
just more carbon left to waste.
Another life form couldn’t keep up in the race.

I missed out on the Golden Age,
too young to fit in and too old for this decade,
anyway.

A live oxymoron,
like an unexploded bomb.
An unwelcome guest who never,
knew where he belonged.

In this God-forsaken pit,
it’s just survival of the fit.
There is no why, evolve or die,
Archaeopteryx.

Adapt or be selected against,
but don’t get left behind.
The march of progress has a very tight deadline.

I missed out on the Golden Age,
too young to fit in and too old for this decade,
anyway.

A live oxymoron,
like an unexploded bomb.
An unwelcome guest who never,
knew where he belonged.

In this God-forsaken pit,
it’s just survival of the fit.
There is no why, evolve or die,
Archaeopteryx.

To all you boomers and the world that you screwed up,
I want to eat you like a Titan,
Beat you like I’m Tyson.
And you millennials who never can shut up,
Make me wish that Y2K,
Flushed you all away,
And my kind goes extinct.

A live oxymoron,
like an unexploded bomb.
An unwelcome guest who never,
knew where he belonged.

In this God-forsaken pit,
it’s just survival of the fit.
There is no why, evolve or die,
Archaeopteryx.

149 – UFOs: Reframing The Debate Part 2 with Robbie Graham and Mike Clelland

Last week, we covered the concept of “high strangeness” with Robbie Graham and Mike Clelland as we talked about the book, UFOs: Reframing The Debate, a collection of essays on modern UFOlogy conceived and edited by Robbie.

UFOS Reframing The Debate
Try checking this image out with 3-D glasses!

This week is the second half of that conversation between myself, Robbie Graham, Mike Clelland, and  Allison Jornlin from Milwaukee Ghosts and we talk about healthy skepticism. I think that skepticism is just as important as belief when it comes to handling therse phenomena.

If you’ve seen a UFO, it’s always going to be a “your word” vs. “someone else’s beliefs and experiences” kind of thing. If that person hasn’t had a UFO encounter, they’re going to have a more difficult time believing yours. So, what are we trying to do? Make it more believable to convince skeptics that this stuff isn’t just hoaxes and hallucinations? Or help people who have had these experiences come to terms with them and be able to handle when they believe something has happened to them that they cannot understand.

It was in April of 2015 where we interviewed UFO researcher, Don Schmitt, about the “smoking gun” that was supposed to be the Roswell Slides released on May 5th of that year at a special pay per view event in Mexico City. If you didn’t see it, the slides were supposed to be a 1950s photograph showing a dead alien body, but really is just a mummified human. A small group formed on social media to take the investigation into their own hands and debunked the slides in a matter of a few days. Cliff Collins writes about it in UFOs: Reframing The Debate.

It’s an awesome example of why skepticism is so important. This small group ended the debate on the Roswell Slides. We’re not subjected to endless TV specials or internet sites dedicated to discussing the “controversy”, people won’t be writing books about the slides in 50 years and talking about “the unsolved mystery”. It’s debunked and now we can move on to the next thing.

But even if we could make UFO experiences more “believable”, does it matter? While Internet discourse has created an atheist skeptic vs. religious believer debate where you either fall on one side or the other, the skeptics have already lost.

A 2015 poll shows that 56% of Americans believe in UFOs and 45% of them believe that extraterrestrials have visited earth. That’s a majority of Americans who think that there is something real to that UFO phenomenon and just a little less than half believe in the “Extraterrestrial Hypothesis” (that it’s aliens coming to visit).

Carl Sagan popularized the saying “Extraordinary claims require extraordinary evidence.” Healthy skepticism and scientific rigor is important, not just to debunk and rain on everyone’s parade, but to find out the cases where things that are happening are truly unexplainable and are truly weird. It’s been seventy years since Roswell and are we any closer to the truth? It’s been over fifty years since Betty and Barney Hill were abducted, over forty for Travis Walton, almost thirty since Communion

Nothing has changed. We’re not any closer to the truth. Maybe we’ll never be – in this discussion, we talk long and hard about the futility of disclosure and at length about Tom Delonge’s Sekret Machines project that’s supposed to blow the cover of the whole UFO thing.  

We have a good laugh about disclosure as well, talking about how Donald Trump would never pass up the opportunity to be the one to let the world know about extraterrestrial and giggle about an alien wearing a Make America Great Again hat.

But how we deal with the aftermath of experiencers can improve. That is something we can change. I don’t think everyone is lying or hoaxing and if we can help people come to terms with the experiences, to process it in a healthy way, then we’re doing something tremendously important.

That’s where modern skeptics can really improve. Sympathy, understanding, a psychological perspective. That’s something that the Church has a superior handle on as compared to psychiatrists. The Catholics have been trying to figure out whether miracles have actually happened for two millennia and even have a system for it, it’s certainly not completely applicable here, but it’s much more sympathetic than the Phillip Klass or James Randi approach, that just suggests experiences are deceiving or delusional.

UFOs: Reframing The Debate challenges the core notions that I had about UFOs, ETs, and even faeries and owls that I’ve had all my life. It’s the kind of book that this field needs to break out of The X-Files mindset we’ve been living in (at least until Tom Delonge proves us all wrong!) It doesn’t take sides or come in with an agenda. And if your ideas about UFO phenomena are the same when you’re done reading the book as when you started, then you’re just as closed minded as any skeptic.

One of the themes of this week’s conversation is disappointment. Whether it’s the blowup with the Roswell Slides or the fact that so many have waited with baited breath for full government disclosure to no avail, disappointment is as much a part of UFOlogy as little green men. This week’s Sunspot song is called “The Breach”, when something important to you, and breaks and it hurts, but you keep going back.

I can still taste you on the tip of my tongue,
I’m trying to hold your breath inside my lungs,
Draw me away.
Draw me amazed.
We stand outside ourselves,
so please don’t move
When I scream fire inside a crowded room.Mediocrity surrounds me,
To the point of tragedy.
And we can walk along the breach,
walk along the breach.Consumed by a devouring,
Convinced by an overwhelming.
Draw me afraid,
I watched you draw me flayed.We stood outside ourselves,
and then you moved.
When I screamed fire inside a crowded room, a crowded room.

Mediocrity escapes me,
when I hear your voice.
Barely avoiding tragedy,
We made that choice.
I closed my eyes so hard,
I didn’t know the water from the sea,
As we walked along the breach.

The crack was deeper than it seemed,
I could not cross the yawning,
that opened in my chest cavity,
The frailty that tore,
Still led us once more unto the breach.

Mediocrity escaped me,
When I heard your voice,
To the point of tragedy,
When you made your choice.
I closed my eyes so hard,
I didn’t know the water from the sea,
As we walked along the breach.

Mediocrity escaped me,
When I heard your voice,
To the point of tragedy,
When you made your choice.
I closed my eyes so hard,
To shut out the uncertainty,
Against the husk of a dream,
As we stand astride, stand astride the breach.

148 – UFOs: Reframing The Debate Part 1 with Robbie Graham and Mike Clelland

Last time we talked with Robbie Graham, he had just released Silver Screen Saucers, a brilliant tome on how Hollywood and UFOlogy have influenced each other over the past 70 years. In the meantime, Robbie’s star has quickly risen in the UFO field (or is just the planet Venus?) thanks to his thorough research and an academic approach.

His latest endeavor, UFOs: Reframing The Debate is a collection of essays written by some of the greatest modern UFO researchers, bloggers, and even skeptics. It features some of our favorite former See You On The Other Side guests like Joshua Cutchin and Ryan Sprague as well as great podcaster Micah Hanks, and even Canada’s leading “UFO guy, eh” Chris Rutkowski.

With thirteen (of course!) essays, there is plenty to agree with, disagree with, things to make you mad, things to make you think, and lots to learn.

One of the contributors to the book, Mike Clelland, is the blogger behind Hidden Experiences and the author of The Messengers: Owls, Synchronicity, and The UFO Abductee. He’s not only a researcher into the field, he’s an experiencer as well and he and Robbie both join the discussion (along with Allison from Milwaukee Ghosts) as we do some deep diving into why we need to rethink everything we think we know about the UFO phenomenon.

That’s one of the reasons we wanted to split this podcast up. It seemed like the conversation naturally moved halfway through and we wanted to make sure that we gave each topic the thought space that they deserved. The first thing for me that changed the way I feel about UFOs was the concept of “high strangeness”.

No, high strangeness isn’t the lost Cheech & Chong movie, it’s a phrase from the great UFO researcher and Project Blue Book leader, Dr. J. Allen Hynek. He used it to describe the absurd and surreal nature of the phenomenon. And people use that term now to describe how once they’ve seen a UFO, their lives change and they start seeing weird stuff in their life all the time. Mike Clelland illustrates the point with several of his stories, as he has been collecting them for years on his blog, as well as having a few experiences of his own (like seeing gray aliens outside his window, missing time as a teenager, etc…)

You see a UFO, then you might see Bigfoot, then you might start experiencing poltergeist activity. It’s like that original sighting opens the door to everything paranormal. But why would that be?

I always thought the people who have more than one kind of experience made them sound even more unbelievable, ya know? The higher the number of experiences, the higher the chance of crazy. But so many people report more than just the UFO sighting. As Mike says in his essay:

Life, death, sex, dreams,spirituality, psychic visions, genetics, expanded consciousness, mind-control, channelling,mysticism, miraculous healings, out-of-body experiences, hybrid children, personal transformation, powerful synchronicity, portals in the backyard, distorted time, telepathy,prophetic visions, trauma, ecstasy, and magic. It’s as if our brains just aren’t big enough todeal with the overload of so much weirdness.

And that made me reconsider my assumptions on aliens, that they’re just interplanetary travelers (albeit with a taste for experimenting on the wildlife) and that it’s purely a physical materialist happening, something we can understand with our current models of the universe. But I’m stuck in the 90s X-Files/Independence Day conspiracy mode of thinking, when the new evidence points to what might be an even weirder explanation, almost like Twin Peaks. Indeed, the owls might not be what they seem. (And the Richard Jones evil doppelgänger story from Kansas last week certainly made me think of the denizens of The Black Lodge!)

But that’s the idea of the book, to challenge your former beliefs, to find room in the UFO tent for perspectives ranging from materialist to spiritual to hallucinatory to anywhere in between. We’re talking about a field where even the best evidence is scoffed at (and we’ll be talking about the importance of skepticism in Part 2 next week) so to advance the study of UFOs we’re going to have to be ready to embrace opposing points of view something too often avoided in the Internet Age, because a friendly perspective, the easy path, is only a click away.

Click here to grab UFOs: Reframing The Debate new book on Amazon.

Now after seventy years of flying saucers, to change people’s entrenched beliefs on the weirdness that we’re seeing in the skies is no easy task, you might say it’s “Sisyphean”, the mythical Greek King who was damned to eternally roll a boulder up a hill as a punishment for his defiance of the gods (he was always tricking them!) So, we thought that our Sunspot track, “Sisyphus’ Rock” might be the perfect capper to the first part of our epic discussion.

Like Sisyphus and his rock,
I roll our love up a great hill.
Hoping for a chance to reach the summit.
And as the gods of thunder bowl,
I watch the light show in the sky.
But you are frozen, terrified, and weakened.

I know the reasons for your actions.
I know you’ll answer for your tears.
But who will ever be my rock?
when you decide you’re on your own,
and I still draw you rainbows in the night.

I would steal fire from the gods,
if I thought it’d make you smile.
I’d sacrifice my liver for your heart.
Look out in Hades down below,
because I’ll not look back this time.
Now I’m armed with Schwarzenegger, two gats, and a nine.

FIGHT, FIGHT, FIGHT.
You’re the Achilles’ Heel of my soul.
FIGHT, FIGHT, FIGHT.
Yours is the only pain I know.
But little angel don’t you fear,
when you felt me you fell from grace.
But we are all Immortals in the end.

I will decline Pandora’s Box,
but I think I’ll see what’s in yours.
I’m clawing for the hope that’s at the bottom.
I’ll fight off snakes on Gorgons’ heads,
and I’ll take thunderbolts for you.
But please don’t leave my whispers to myself.

But angel don’t you ever fear,
when you felt me you fell from grace.
But we are all Immortals in the end.

147 – She Talks To Angels: JD Cross’s Garden In Heaven

I don’t know about you, but when I’m afraid of something, I make a deal with God. When I’m faced with an unknown or something that I can’t control, or something that’s too late to have any effect on, I pray. I beg, I plead, I deal. What was the last deal you made? What were you willing to sacrifice and what did you want?

That’s baked right into the Judeo-Christian faith and really baked into religion as a whole We sacrifice something so the gods will smile upon us, whether it’s Nicolas Cage being put into The Wicker Man or God telling Abraham to sacrifice his son Isaac or the Aztecs slaughtering their prisoners of war at the tops of their pyramid.

But really, does it seem like God cares about your sacrifice? When you suffer, does God seem to care? No. People who don’t deserve things get them all the time. It’s not about deserving, it’s not about sacrifice. Can you alter your future? Absolutely, through making good decisions in your past. Miracles seem to happen, but why do they happen to some people and not others? Who determines who deserves what?

We’re never going to be able to answer that question and that’s okay. Faith isn’t about believing so you get better stuff than the other guy, faith is accepting the universe as it is, hoping that it’s all for a greater purpose and just hoping the if you do your best, things will work out but understanding that it doesn’t always happen and being willing to roll with it.

I make bargains with God all the time, sometimes it works out and sometimes it doesn’t, but the thing is…he never talks back to me. But certain people claim to have had contact with the Almighty. People like author J.D. Cross.

J.D. Cross’ first angel appeared to her when she was four years old and when she went to sleep, her soul would travel to a “Garden in Heaven” where she would spend time with Jesus. She had an out of body experience and died on the operating table when she was 19. God has blessed her with the gift go prophecy and the ability to talk to angels and she shares those prophecies, her experiences of soul traveling, and what it’s like when God warns you about not going to a keg party in this interview!

J.D.’s books include Soul Travel In Heaven: The Day I Died and Prophecies In The Light of Christ and you can find her official website right here.

We couldn’t pass up playing this Black Crowes song for this episode. We thought a stripped down version of their bonafide classic, “She Talks To Angels” would be perfect for an episode about a woman who’s talked to them all of her life.

She never mentions the word addiction
In certain company.
Yes, she’ll tell you she’s an orphan
After you meet her family.

She paints her eyes as black as night now.
Pulls those shades down tight.
Yeah, she gives me a smile when the pain comes.
The pain gonna make everything alright.

Says she talks to angels.
They call her out by her name.
Oh yeah, she talks to angels.
Says they call her out by her name.

She don’t know no lover,
None that I ever seen.
Yeah, to her that ain’t nothing
But to me it means, means everything.

She keeps a lock of hair in her pocket.
She wears a cross around her neck.
Yes the hair is from a little boy,
And the cross from someone she has not met, not yet.

Says she talks to angels.
Says they call her out by her name.
Oh yeah, angels
Call her out by her name
Oh angel,
They call her out by her name
Oh she talks to angels,
They call her out, yeah yeah
Call her out,
Don’t you know that they call her out by her name.

146 – Messages From Beyond: Linnea Star Talks To Dead People

Linnea Star got her first message from the Other Side when she was a child. Her grandmother was marrying a widower and his late wife appeared to the little girl. The deceased let her know that everything was alright and she approved of the match. When Linnea told her grandmother, she wasn’t shocked or scared, grandma knew that their family had a history of talking to dead people.

Today, Linnea Star works out of Massachussetts as a medium in the Jon Edwards and James van Praagh style of spirit communication. She walls through a crowd and gets messages for specific people, often related to an upcoming birth, a recently departed relative, or a guardian angel that is watching over and wants to let the person know that it’s there when needed.

In this interview, we really get into the nitty gritty of what it was like growing up with this kind of ability. What did her friends think? How did her boyfriends react? Did she ever use her gift selfishly? And she even gives me a little psychic reading at the end, so you can hear her paranormal ability in action.

Find more about Linnea Star at her website, http://www.linneastar.com.

Linnea’s message is about love. It survives death and the people you have cared about who are gone want you to know that they still love you and they can feel your affection. It’s comfort to know that people are in a better place. I know that the Committee for the Scientific Investigation of Claims of the Paranormal has their view of this type of work, but I fail to see the harm of it.

Whether it’s your priest or rabbi assuring you that your beloved mother or uncle or child is somewhere better or it’s a psychic medium, they’re both serving the same purpose. You and I can’t receive messages from The Undiscovered Country, people like Linnea say they can. Comfort comes in many forms and I’d like to think that even if death is permanent, that our love can still be felt. That’s what this week’s song deals with, it’s called “The Price”. Even though we die, love makes the whole thing worthwhile.

 

Every song, every book, every work, ever made,
since time began,
they’re all about the same things, sex and death,
so let’s go back to

All the single-cells,
who lived primordial,
they didn’t have to multiply,
they didn’t have to age and die.
When we left the ocean,
for sexual reproduction,
the reaper came soon after,
to turn us all into cadavers.

Our brain machines made dopamine,
and split us off in twos,
so without death there would be no love,
without love there’d be no you.
Biology is tragedy, but I don’t think that’s true.
All good things must, all good things must die.

We pay the price for love.
And I would never give you up.

Parthogenesis is just paralysis,
A Darwinian dead-end,
a limitation we could transcend.
Even though someday,
we’ll get old, ugly, and gray.
It’s an easy sacrifice,
it’s a bargain at the price.

Reality is bittersweet,
but there’s no day I’ll rue,
for without death there would be no love,
without love there’d be no you.
Biology is tragedy. I don’t care that we’re doomed.
All good things must, all good things must die.

We pay the price for love.
And I would never give you up.

Maybe it’s the oxytocin talking when I say,
that I refuse to let you go until I pass away.
Who wants to live forever?
Something I’d never choose,
I’ll sacrifice eternity
Just like Superman II.

Our brain machines make dopamine,
and split us off in twos,
so without death there would be no love,
without love there’d be no you.

We die and pay the price for love.
And I would never give you up up.
All things must die and pay the price for love,
And I would never give,
would never give,
would never give,
would never give,
Never give you up.

Our brain machines made dopamine,
and split us off in twos,
but without death there would be no love,
without love there’d be no you.
Without death there would be no love,
without love there’d be no you.

145 – Twin Peaks: The Paranormal Influence Underneath TV’s Weirdest Show

In April of 1990, I was 13 years old. I remember very well watching the debut of the pilot of Twin Peaks on that Sunday night (along with 35 million other people) and I didn’t miss an episode after that. I loved the quirky characters, the murder mystery, and the weird dreams, but most of all, I enjoyed spending time in a place where magic was real, ancient demons stalked the Earth, logs could send psychic messages, and we could visit other dimensions in our dreams. My father and I were diehards who watched until the bitter end, upset about the cliffhangers that it left dangling at the second season’s conclusion.

twin-peaks

I went into Twin Peaks: Fire Walk With Me thinking that we’d get a resolution, excited to find out what happened the fate of Audrey from the bank explosion and Cooper in the Black Lodge. I didn’t really care what happened to James, because well, James’ weird love triangle shenanigans were boring by the end of the second season. The movie was all the weirdness of the TV show with little of the comedy and the sex and violence amped up. While I didn’t get the answers I craved, I loved going back into that world.

After the movie failed at the box office and David Lynch seemed to be bitter, I figured that was it. The bad guys won, Laura Palmer’s soul was trapped in the Red Room, and no one would ever know why David Bowie showed up as a ghost or what Jacques Renault meant when he called himself “The Great Went”. I figured it would just be a wonderful bit of nostalgia when I think about junior high. It was my favorite show at the time we were starting our rock band, when I was growing my hair long for the first time, and when I was hitting adolescence head on.

So, I was surprised as everyone else when the revival was announced. I couldn’t wait to go back. I thought that the closest thing we ever were going to get toa  reunion was when Big Ed and Nadine runiting as the bad guys in The People Under The Stairs.

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I’m the kind of fan who falls in love the mythology of a fictional universe. My favorite X-Files episodes weren’t the funny standalones, I wanted to know about the alien invasion conspiracy. I cared about the Dharma Initiative in LOST and cared about the answers they promised us. I want to know the history of the conflict between the Klingons and the Federation, I want to lose myself in the universe.

I knew that David Lynch was weird and I was down with that, but it took me until Lost Highway to appreciate his dream logic and to no longer care about coherence in the narrative (and trust me, if you’ve seen any of the Twin Peaks revival, you’ll quickly understand that coherence is the first thing out the window.) But in Twin Peaks, the story isn’t as important as the feeling you get when you hang out there. Sure, the quirky characters are fun and their obssession with coffee, apple pie, and smoking (really, that was probably the last major network series where half the characters unapologetically smoke cigarettes), but it was the world they lived in where you just wanted to spend more time.

The show was artistically fearless years before our current Golden Age of TV, it could be hilarious when it wanted to be, tedious and awkward when it wanted, the camera shots alone could evoke fear and dread, but also intense beauty and high strangeness. There’s a scene in Fire Walk With Me that is easily the top three most terrifying things I’ve ever seen in a visual work. Twin Peaks made me feel things like nothing else I’d ever seen on TV.  And that’s why I love going back.

While nominally a murder mystery and a soap opera parody and a meditation on how Small Town America is often hiding a seedy dark and corrupt underbelly, Twin Peaks is also a cornucopia of otherworldly influences. In this discussion, we try to hit as many as we can and how the real-life paranormal tales  impacted the story of TV’s weirdest show.

While we finish the episode with a little musical homage to Angelo Badlamenti’s incredible Twin Peaks soundtrack, we kicked off the show with discussing the untimely death of Chris Cornell who was certainly a huge influence on our generation. I had first heard Soundgarden’s “Loud Love” in 1990 around the same time I was watching Twin Peaks and of course became a huge fan with Badmotorfinger (in fact, I can’t say how often I’ve thought on a particularly rough hangover day that “I’m looking California and feeling Minnesota”.) We talk a bit about Cornell’s amazing voice, but also how eerie it was that Soundgarden covered Led Zeppelin’s “In My Time Of Dying” (which itself was Zep’s attempt at updating an old Gospel song) at their last show before the singer tragically took his own life.

144 – The Secrets of Fatima: 100 Years of a Marian Mystery

On May 13th, 1917 three children from a small village in Portugal claimed to have an apparition of the Virgin Mary appear before them. They claimed that the Blessed Virgin revealed three secrets to them that they could reveal to no one, and in fact the Third Secret could not even be released until 1960 and not to anyone but the Pope himself. They weren’t believed in the beginning and the children were even temporarily jailed (and it’s claimed the local law enforcement even threatened to boil them in oil unless they told the truth!) But in the end, thousands of people witnessed a solar miracle in Fatima, Portugal and the children’s visions would have a big impact on the Catholic Church in the Twentieth Century.

Our Lady of Fatima Children
The children behind Our Lady of Fatima

“Marian Apparitions” or visions of the Virgin Mary were pretty popular the end of the Nineteenth Century. The Church investigated many of them and determined a few “worthy of belief” (including one near Green Bay, Wisconsin, so we have our own Our Lady of Perpetual Packers Victory!) “Worthy of belief” means that they think that there’s  something to the vision, but as a Catholic you’re not required to believe it (like you are required to believe that Mary was a virgin and that Jesus is the Son of God and not just a wise carpenter who was endlessly quotable.)

Our Lady of Fatima appearing to the children
Our Lady of Fatima appearing to the children

The First Secret of Fatima was a vision of Hell that Mary showed the three childern. The Second Secret of Fatima had to do with the end of World War I and the prediction that another great war would come shortly after if Russia didn’t start turning back to religion from atheism. Those secrets came out in the 1940s when Sister Lucia (the only surviving child who originally was contacted by Our Lady of Fatima, she eventually became a nun) was forced by her bishop to share the secrets in case she got ill.

The Third Secret of Fatima was kept under lock and key until 1960 when the Pop was allowed to read it. It was said that the Pope cried when he read the secret and that was enough to freak everyone out. Was it the end of the world that he saw? This was a generation of schoolchildren who were growing up with nuclear war safety drills and people building underground bunkers in their backyards. Did the Pope see the end of the world by man’s own hand?

These secrets became of such fascination to Catholics, that in 1981 a former Trappist monk decided to hijack an Aer Lingus plane and demand that the Pope release the Third Secret of Fatima.

Totally sweet painting of the Third Secret of Fatima
Totally sweet painting of the Third Secret of Fatima

 

When the Third Secret of Fatima was finally revealed, it turned out to be kind of boring. It was a vision of the Pope being murdered by gunman and when the Vatican revealed it in the year 2000 (with a treatise written by the future Pope Benedict himself, Cardinal Ratzinger) it was really just about the assassination attempt on Pope John Paul II in 1981, so “Hey, no big deal everybody, on this thing we’ve been hiding for damn near a century.”

That really hasn’t been good enough for some people, who think that the secret actually revealed that there would be a Pope who leads the church into ruin, a so-called “Anti-Pope” and there are people who believe that “Cool Pope” Francis is one. Even though he was in Fatima on the 100th anniversary to canonize the original children and declare their Catholic Sainthood, his detractors say that his liberal and easygoing attitude is going to lead the Church straight to the Fires of Hell.

fatima ghost anti pope
The dude from the band Ghost is the only true Anti-Pope!

Well, whether that’s true or not, there’s a different interesting theory that the people of Fatima actually saw a UFO on that strange day they saw “The Miracle of the Sun”. No less than UFO expert  has posited that theory himself.

But a more sobering and sinister theory is that the Catholic Church was using these Marian Apparitions to influence world events, that Sister Lucia writing in 1941 that the Soviet Union must be consecrated back the Immaculate Heart of Mary and away from Atheism or the entire world would crumble was justification for the Nazi Invasion of Germany. The Church’s reputation during the Holocaust and the Second World War is often brought up as one of its less proud moments (the Vatican was completely surrounded by Fascist Italy, so there could be a good reason that they remained neutral, but still it’s an unfortunate history of silence.)

100 years later, Our Lady of Fatima still intrigues and mystifies people. But whether or not their claims were true, those three Portuguese shepherd children did something amazing, they changed the world with their story and affected millions of lives. The Sunspot song this week is in that same spirit, it’s called “Change The World”.

Did you read the news today,
did you listen to what it said?
It said our world was going to Hell,
and soon we’ll all be dead.
Don’t tell me about your apathy,
Don’t tell me you don’t wanna believe,
Don’t tell me that it’s not your problem,
Can’t you see… you’re not alone?

I want to change the world.
But I can’t do it by myself,
I need somebody else.

Wandering in the dark,
we’ve been living with blindfolds on.
Just thinking about ourselves for too damn long.
Don’t tell me that you don’t care,
Don’t tell me that the world’s not fair,
Don’t tell me there’s nothing you can do to help at all.
That’s no excuse.

I want to change the world.
But I can’t do it by myself.
I need somebody else.

143 – Punk Rock and UFOs: An Interview with Mike Damante

Journalist and author Mike Damante took a left turn from covering mainstream entertainment and sports news in Houston to chronicling the weird world of the paranormal in his blog, Punk Rock and UFOs

mike damante punk rock and ufos
Mike Damante throwing up the horns!

With a lifelong passion for the music of punk rock and an interest in the weird, Mike Damante decided to take the attitude of punk music and apply it to the investigation of the unknown. While punk music can often have paranormal themes (just look at any song by the Misfits or a multitude of classic Vandals tracks), it’s the approach that punk music took to the status quo of the 1970s that Mike Damante is looking to emulate.

In the 70s, the music industry was all cocaine and big money, exemplified by the slick  sounds of Disco and the costumed denizens of Studio 54. Punk Rock was the antithesis of the laid-back California Pop-Rock sound of the Eagles. It was loud angry music created by dirty musicians in dingy clubs. It was piercings instead of glitter, mohawks instead of long flowing manes. It was the sound of a people left behind by a bloated hedonist beauty-worshipping culture and punk was their rallying cry of smashing that system.

That’s the attitude of Mike’s book and writing, Punk Rock and UFOs: Cryptozoology Meets Anarchy, is about questioning everything that you think you know when it comes to the world, especially the paranormal one.

Of course we talk about the most famous former punk rocker turned  UFO evangelist, Blink-182’s Tom Delonge who was featured in the news during the 2016 presidential election when his emails to fellow alien enthusiast John Podesta were leaked to the world, but we also go into other punk rock legends from Milo Aukerman from Descendents to Bad Religion’s Greg Gaffin. It’s a good mix of rock stories with paranormal tales and conversation.

If you’re interested in Mike’s book, you can grab it on Amazon right here. And make sure to follow Mike Damante on Twitter by clicking this link.

The song this week started off as a punk idea and ended up sounding like an adult contemporary song, ha! But sometimes when we’re writing, we just have to go where the Muse takes us. It’s an earnest track about looking back on a youth filled with paranormal adventure and all the memories and mistakes that come along with it. The track is called “Stories In The Dark”.

When we walked among the headstones,
On that August New Moon night,
That marble might have been cold,
But we raised the Fahrenheit.
And a summer is forever with,
not many on your belt,
But you know when the hurtin’ hits,
Yeah, the hurtin’ hits like Hell.
And you know when the hurtin’ hits,
Yeah, The hurtin’ hits like Hell.

There’s no point in saying sorry
For these twenty years gone past
No statute of limitations for
Acting like a jackass.
Time is always the best healer
Distance makes things much more clear
Even picking at a scab feels good,
Just in the rearview mirror.

These ghost stories in the dark
Oh my dear you were always game
Stronger than I gave you credit for
But crazy just the same
Tall tales that we tell ourselves
Do their damnedest to dull the pain
And you know every broken heart
Comes with a story
Best told in the dark
Comes with a story
Best told in the dark

Mystery by every corner,
Didn’t matter what we saw,
It wasn’t what we got that made you hot,
It was the quest that burned us raw.

Being on a pedestal just
ain’t easy as it would seem.
Well the young should never handle
Something fragile as a dream
I said the young should never handle
Something fragile as a dream

There’s no point in saying sorry
For these twenty years gone past
No statute of limitations for
Acting like a jackass.

Time is always the best healer
Distance makes things much more clear
Even picking at the scab feels good,
Just in the rearview mirror.

These ghost stories in the dark
Oh my dear you were always game
Stronger than I gave you credit for
But crazy just the same
Tall tales that we tell ourselves
Do their damnedest to dull the pain
And you know every broken heart
Comes with a story
Best told in the dark
Comes with a story
Best told in the dark